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'Enter Pyongyang' is another stunning collaboration between city-diplomacy pioneer JT Singh and flow-motion videographer Rob Whitworth. Blending time-lapse photography, acceleration and slow motion, HD and digital animation, they have produced a cutting?edge panorama of a city hardly known, but one emerging on the visitor's landscape as North Korea's opening unfolds. North Korea was the last country seemingly immune to change'but no longer. Recent years have witnessed mobile phone penetration, a surge in tourists, and even a marathon. Numerous special economic zones have been launched in cooperation with China, Russia, and South Korea, with railways planned linking all countries in the region. 'Enter Pyongyang' captures not just the city, but this dynamism and sense of potential. This video is the single most significant multi-media contribution to transcending clich??s about North Korea as a society defined by reclusiveness and destitution. T o travel there is to witness a proud civilization, though one caught in a Cold War time-warp. Korean cultural traditions are meticulously preserved and displayed in authentic richness. Anyone who has witnessed the awe-inspiring Mass Games knows that, with great sacrifice, North Koreans can pull off a performance unparalleled in its precision. 'Enter Pyongyang' captures the reality of North Korean citizens as earnest and humane, not automatons. The infamous traffic ladies and subway guards stand stiff and sentinel - but today they share a smile too. The more North Koreans one meets, the more one sees an organic society that wants to be a normal country. If you travel there not to judge but to appreciate, you will come away with a better understanding of how challenging national transformation can be. "Enter Pyongyang" is above all an invitation to explore. Few places in the world have been as hermetically sealed as North Korea, but Koryo Tours has made it possible not just to see North Korea but to engage with it in ways that were impossible until very recently. This is a window of opportunity not to be missed. If Pyongyang is no longer off limits, no place is. (Foreword by Dr. Parag Khanna, Director, Hybrid Reality)
FAQs: - How were you guys allowed to film in Pyongyang? This project was produced in conjunction with Koryo Tours, the leading North Korea travel specialist. Co-producer Vicky Mohieddeen of Koryo Tours was with us throughout the shoot. - Were there restrictions on what was allowed to be filmed? We were closely assisted by two guides from the National Tourism Administration, who helped us gain special access to locations and made sure that we followed all the rules. As is standard for all foreign visitors to the country, we were not allowed to shoot any construction sites, undeveloped locations or military personnel. Other than that we were given relatively free reign. - Isn't this all fake? You don't see the real North Korea. The average visitor to Pyongyang is likely to be surprised by the scenes they encounter and are especially surprised about how clean and orderly the city actually is. Indeed, people living in Pyongyang and other major cities enjoy a higher quality of life than those in other parts of the country. - Are people allowed to travel to North Korea? Yes, despite what the majority of people think, it is possible to visit North Korea as a tourist. North Korea does not release official data on the number of Western tourists it receives, but estimates range from 4,000 to 6,000 per year. Most of the foreign tourists are from Mainland China, estimated in the tens of thousands annually. - Were you paid to make this film? We volunteered for this project with no pay at all. All other travel expenses for the 6 day trip were covered by Koryo Tours. - Does this film support the DPRK government? "Enter Pyongyang" is an observational film. At no point did Koryo Tours or we have to pretend to be supporters of the DPRK Government or their philosophy in order to be granted permission to shoot this film. Amazingly, we were given complete editorial control in the making of this piece.

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